Technical Specs – The Exchange Main Stage
FOH Mixing Console
Allen & Heath GL2400
22 – Mono Channels – Phantom on all 24 Channels
2 – Stereo Channels
4 – Monitor sends 5/6 switchable
2 – Eff sends
2 – Eff returns
4 Sub groups
w. sub outs + inserts on all groups
Stereo mains out – stereo sub outs + inserts L/R
Mono Mains out w / LPF up to 120 hz
MIC List
4 Shure sm Beta 58 A’s
7 Behringer xm 8300’s (similar to Shure 58)
2 Shure sm 57’s
6 Samson DMC 100 Tom mics
1 Sennheiser evolution 602 Kick Drum Mic
1 Active Behringer Ultra DI Boxes Model DI 100
2 Passive DI Boxes
Front of House Outboard Processing
1 – 2231 DBX / EQ / Limiter / Type III NR Stereo EQ
1 – Yamaha SPX 90 Effects Processor
1 – Behringer Multigate Pro XR 4400
1 – Behringer Multicom pro XL MDX 4600
1 – Behringer Multicom pro MDX 4400
8 Channels of compresion
4 Gates
Monitor EQ’s (Please note there is no separate monitor console)
1 – DBX 231 Stereo EQ
1 – Rane ME 30 (Mono EQ)
1 – Inkel EQ 825 (Mono EQ)
4 Monitor Mixes
4 Yamaha Monitors
Monitor Amps
1 – Yamaha P5000S
8 ohms 500 Watts per channel
40 ohms 750 Watts per channel
QSC 1400
8 ohms 140 Watts per channel
40 ohms 200 Watts per channel
Stereo PA
run @ 4 ohms
Mid-highs are flown for widest possible dispersion
4 – Yorkville tx4 – 2 per side
4 – Yorkville Elite (LS – 12080 – 2 per side
Access to crossover will not be granted to anybody under any circumstances
FOH Amps
Highs – Yamaha P3200
8 ohms 320 watts per channel
4 ohms 500 watts per channel
Mid – Yamaha P5000s
8 ohms 500 watts per channel
4 ohms 750 watts per channel
Lows – Yamaha P7000S
8 ohms 700 watts per channel
4 ohms 1100 watts per channel
Lighting
16 par 56 cans
300 watts each
8 key lights
8 backline lights
Controlled by NSI 16 channel light console @ mix position